![]() His efforts to hide the girl's true identity from his wife, to thwart the romance which develops between her and his son, lead to many amusing and touching domestic complications. Brian Aherne contributes one of his finest characterizations as the blustering, good-natured owner of a Parisian bicycle shop who, upon being called as a juror, is so touched by the pathetic girl accused of murdering her lover that he holds out for her acquittal, then takes her into his family on the pretext that she is the daughter of an old classmate. The screen play by Lewis Meltzer represents an adroit adaptation of the French film by Marcel Achard, which was shown here last year as "Heart of Paris."Not the least of the film's virtues are its players. Charles Vidor, the director, has managed to keep his characters in situations that are plausible and has imparted to the whole the infectious atmosphere of home and hearth. Once you overcome the manifold implications of a title like "The Lady in Question," you will be rewarded with an hour and twenty minutes of delectable domestic fare that is by turn droll, down-right funny and slightly dramatic, but always irresistibly humorous. HimselfWithout any preliminary fanfare Columbia yesterday presented the Bryant Theatre with one of the season's most delightful entertainments. Cliffe and Harry Parr-Davies produced at the ATP Studios, Ealing, England released through the B.S.B. Kimmins music and lyrics by George Formby, Harry Gifford, Fred E. ![]() IT'S IN THE AIR original screen play and scenario by Anthony Kimmins directed by Mr. As a specimen of war-time culture it should not be overlooked. It is fast and cracy farce, typically British, typically slapstick. Brown or possibly Laurel and Hardy, will undoubtedly find it enjoyable. And Americans, too, who delight in the antics of, say, Joe E. In brief, it is George all over the place, and very little more.Yet this is the sort of film at which a typical British audience-draymen and coster-mongers and shop-girls, we presume-laughs uproariously. From then on it is George versus a cruel practical joker, George versus an exceedingly rigid sergeant major and finally George versus the controls of a brand new plane aloft. training station and gets mistaken for a regularly enlisted airman. He talks in a high-pitched voice with an accent almost incomprehensible, and he sings typically music-hall ballads to the accompaniment of a banjouke.And the silly business he is about in the present instance has to do with a fascinating dolt who blunders into the confines of an R. George, who is still comparatively unknown to American audiences, is a long and Lancashire drink of water with a face like that of a horse, and teeth, as someone says, like a graveyard. Folks who won't believe that the British are still able to laugh-those Britishers, that is, who dare to enter movie theatres-should catch it, if for no other reason than to bolster their admiration for these doughty island people.For the star of "In the Air" is Britain's Number One screen favorite, the comical George Formby, and the picture itself is little more than a decidedly up-to-date slapstick farce. And a fascinating example thereof is the English-made film, "It's in the Air," which opened yesterday at the Little Carnegie. Next to British morale, at which the whole world now wonders, typical British humor is a cause for most frequent amazement.
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